Piano & Rudiment Level 5 to ARCT Level (Virtual Lesson)
As an affiliated teacher with Royal Conservatory of Music for fourteen years, Regina has been successfully preparing students for RCM piano examinations, rudiments examinations and history of music examinations, in which a majority of her students have achieved First Class Honours with Distinction (90-100) in the three subjects and at each level ranging from 1 to 10. Having taught at York University for nearly ten years as a teaching assistant for two courses, Classical Piano Performance and Piano for Non-Majors, she has developed a high level of professionalism and strong interpersonal skills in her interactions with students. In her classes at York University, students who major in Classical Piano Performance Stream and students who are non-music major earned excellent grade (A) at end-of-year juries. Prior to her teaching at York University, Regina was a Pianist-in-Resident for the Opera Workshop and Chamber Music at Memorial University of Newfoundland.
As a piano teacher, Regina’s work includes preparing students for annual piano recitals, and coaching students for competitions in the GTA where her students awarded prizes at Toronto Kiwanis Music Festival, Peel Music Festival, and North York Music Festival. As a rudiments and history of music teacher, Regina has brought the subjects to life. Her students demonstrate strong understanding of music theory and history of music in Basic, Intermediate and Advanced levels.
Professionally trained since age of six, Regina graduated Summa Cum Laude in Piano Performance from the Ho Chi Minh City Conservatory of Music. She continued her piano studies at York University, Toronto where she earned her BFA specializing in Piano Performance. Since returning from Memorial University of Newfoundland, where she furthered her professional training at the Master's level in Piano Performance under the guidance of Professor Timothy Steeves, she completed her MA in Ethnomusicology at York University, Toronto. Her research interest focuses on "Canada Classical Music: Women Composers of 19th and 20th Centuries" in which she is examining the impact of both colonialism and post-colonialism on the development of classical music in Canada.